#it’s such an interesting social dynamic | Explore Tumblr posts and blogs

scara-writes · 2 days ago

Text

100% perfect

GN!Esper!Reader x Y!Guide!Male OC

Note: hello im back. A lot happened, I had an anxiety attacks, my mind has been having a lot of bad thoughts, my dog passed away last year—three months ago... I didn't have a lot of time for me to write since I've been grieving for my dog's death up until now but I'm okay, I'm healing... Anyway, my writings is rusty and probably didn't improve. I know some of you guys really tried to reach out through ask and I'm kind of happy. Thanks. For now I'll give this to piece of one shot for a new year. This Esper x Guide thing I made might not be accurate. All i know is they are similar to Alpha x Omega shits except the curse thing on espers. This might be cringe. i will try to edit it. I will try to update the other oc's as well.

-also please do not do this, i do not condone anything in this story. This is purely fiction and be kept as a fiction.

CW: implied se(g)s, implied suicide(mention), yandere, drugging, manipulation, dynamic power, etc.

MINORS DO NOT INTERACT

"(Y/n)!!" A ginger haired male rush up to you, hugging you by the time you step on the greenery field of the university. Pastel blue of sweater was the first thing you see before you were envelope by a hug. You tense when his arms coils around your waist, hearing him breathe out of relief as he buries his face on your left shoulder.

You don't know what to do everytime he does this. There were eyes everywhere and it doesn't seem like he is bothered by it.

Of course why would he?

Micah Clarke is not only popular and prettiest student in this campus. He is known for being famous as the youngest champion of ice skating 3 years ago, defending his title until now. His luscious natural lips, his hazel eyes that could make you halt on what you were doing, the type to make yourself give him a third glance because he is so pretty. So pretty that you sometimes envy his glassy skin, igniting a insecurities to yourself. His soft curly ginger hair and freckled face that matches his glossy alabaster complexion. The type of guy who prefers cute, pastel than those typical guys—omg so unique(lol)—that always choose to wear dark or dull colors. Everyone finds him attractive including yourself. Everything about him screams beauty and elegance. He can hook up with men and women if he wants to but he chose not to.

From what you heard, he is a rare S-rank Guide. Most espers would try hook up with him atleast make a contract with someone like him. He would rather spend his time painting his nails, crochetting, organising or planning his time, practicing his amazing skills on ice skating, or rather do hundred routine for his skincare than hook up with other people. Quirky, Alright. Still, this doesn't stop people from wanting to go between his pants and his fame.

To people he is a swan. He is epitome of perfection.

You always see him pass by to your department, always getting called by the principal,inviting him to do a photoshoot, using his face as an advertisment for upcoming enrollent or any event inside the university. You never dwell yourself to swoon on to him whenever he pass by. Fine, you do like him. But not the kind of like where you are romantically interest to him. You just admire his looks, his talents and that's about it. You just don't like he was too friendly, there's nothing wrong with that but invading someone else personal bubble space—and the feeling of shame on yourself for being near someone kind as him—as if you two are already close is not your thing to a person you rarely talk to. Unlike him, you are the quite the opposite when it comes to socialising,You like being alone, you aren't anti-social, atleast, that's what you think you are. You are confident by yourself. An Introvert.

You just like the silence. It eases your deteriorating mind—(stupid esper curse) Somewhere peace and quiet,reading books, listening to music—gosh laufey and wave to earth and even (favorite singer/composer) always sound so good, spending time with your pets, to drown out insanity voices piling up in your head. Although you just have a few friends, you love to be alone. You once dream about getting a job. To work hard and earn a good money, once you have enough money. You would spend it to buy a house and lot somewhere away from the city and nearby the countryside with a small farm. Letting your family and friends to visit you time to time in occassions. Where you can spend the rest of your life alone and happy. A dream that would be come true if only you didn't awakened as an esper after you reach 18.

As for the guy who has the entire school and other people folded for him. He is choosing you to lend his attention, to a person who doesn't like attention. So why was he talking to someone who is a nobody like a B-rank Esper like you? The only interaction you had with him before he let himself in your life was when you pull him away from the bridge—you didn't know him at that time—a few exchange greeting—which of course he would be the first one to initiate it—and.... The party....

"N-ngh!!!" A whiny moan escape his lips. Your lips were on his neck drinking each of his soft sound coming from his mouth. The blaring party background can be ignore in the background thanks to the closed lock door of this room the both of you are in.You bite and nip his skin as if animal marking its prey. You didn't care if you torn his shirt, you just needed his guide seep through more, letting your body gone addicted to him. "(Y-y/n)!" The whay he whimpered your name made you groaned. The way every pulse from his body sends his guiding through your body. You were delirious, you can't resist him—

"Missed you! Why aren't you checking my messages? You know I got worried when you didn't reply." He whined, his orbs shows concern and sadness. You look away.

"...hey." you greeted him with quieter tone. You pulled away from the hug not liking the way your body just relaxes everytime his guide powers automatically seeps through your body. You don't hate it but you don't like the way that your body depends on someone just for the sake of being sane and relax.

.... The shame you are feeling over the past few weeks.

You still feel guilty and ashamed about it everytime you remember those memory.

"I... I was busy. Had to do homework. I fell asleep and forgot to charge my phone." You told him. Another excuse. You just put your phone on do not disturb.

You don't have the guts to tell a sweet person like him to leave you alone. Well you did because you are ashamed to face him but he insisted it was never you fault. It always ended up him spending time with you. You can't—you owe him more than anything—Especially now that all people's oggling to you too now that you have the attention of the star. They would try to befriending you so that they could get closer to him.

Gosh, you are getting tired. Why can't people leave you alone?

You missed the old times where you can be at peace. No drama, nowhere near on people who wants attention.

"O-oh. Well that's alright."he chided before grabbing your hands with both of his. His smooth hands rubbing against your ragged callouses. He continued, "well actually I was wondering could you hangout out with me? This friday? I know you don't have schedule at that time since you showed me your schedule—And I want to spend more time with you!" He beamed. His smile was out of this world and it blinds you.

"I uhh .. have a plan on that time..." You words went silent as soon as your eyes sees the smile from his lips slowly fell down to his face."really?" The grip on your hands were getting uncomfortable.

"Umm.... I just wanna be on my home and well—"He gasped, his smile is coming back on his symmetrical face as he clung to your right arm."oh! Why didn't you say so? We can hangout together in your home!"

Giddy, he press his front closer to you which made you feel suffocating. His guide power automatically seeps through you again.

"N-no, Mikah... What I meant to say is I plan to rest, like spend alone on that day. A peace and quiet." You slowly pull away your hand gently from his clinging hands.

You didn't expect he would react like this. Tears are already in the corner of his eyes. His lips quivering. "W-what? Are you saying that I'm boring, I-I'm too loud? Did I do something wrong?"

The people who were eavesdropping at your conversation sent a glare and unwanted resentment towards you.

You quickly shook your head. Your free hand clasping against his clutching ones that is gripping your poor unavailable hand. "No... It's not like that. You didn't do anything wrong.. I just want a me time... You know when... Uhhh before you and I become friends.... I just want to relax by myself.... You're a good friend and a good company but... We've been hanging out for a while... Ummm w-what I'm trying to say is... I want some time to be alone. You... You know what I mean right?"

Micah gave you a blank stare. You were getting uneasy. You bite your inner cheek. Will he lash out? He never seem to be the person who never received a refusal on his entire life. As soon as 2 seconds has passed, you noticed his eyes were akin to sadness. You feel the guilt running up to your spine.

You tried to avoid his gaze looking straight his frowning lips before getting replace by a forced grin. "Oh! I get that! You wish a time for yourself! Self care stuff in all that!"

Your heart beats a little faster in excitement, is he finally leaving you for a bit? You were about to thank him for understanding. He does l—

"B-but!!" He grabbed your hands again.

You internally groan. Does he even know the word no? Of course he don't.

He never had someone says no to him. Everything he request would be at his feet. You can't yell or be rude. That's not in your nature and plus if you done it. His fans would kill you.

"I need to be with you o-on friday! You know... I wanna spend my birthday with you.. P-please? your presence alone is enough a gift for me." He stammers. You blink in surprise. "I-I promise I won't bother you the next day if you really wanna spend t-time for yourself..."

Birthday?

"T-to be honest.... I don't like parties uhmm..." He lick his lips as if the word 'party' is a taboo between the two of you." Especially my birthday parties because a-although people greet me a happy birthday or any party occasion and stuff they never really mean it. They... Always use that as an excuse to use me for my fame or my money that I earned so hard in those competitions... I.. I plan to not throw one b-because m-my family isn't forcing me anymore... I just want to spend my birthday w-with you. Y-you're the only d-decent person who treated me normally."he stammer. You feel a lump on your throat when he says you're a decent. "I... I know... Umm I'm asking to much f-from you and I know... you didn't mean to do that—" he continues to rambles that some of his words can't form a right sentence. You noticed his eyes were in the verge of tears, threatening to drop from his eyes.

"I'm.... Not a decent person." You told him looking away from him, ashamed and hurt were written in your face.Your voice grew quiet but the man Infront catch on what you said, already refering to the 'incident' between the two of you. He bit his lower lips and almost yelled. His face pull out a sad look. It made him look cute if it's from a tears of joy."Y-you are ! You are a decent person! You know it's not your f-fault! You were d-drugged a-and I... I was drunk! W-we both know we weren't in o-our right minds! You never hurted me—!" He starts hiccuping. "You're a-a good person! W-what happened between that night s-should b-be buried! Y-you're a good friend! It's not your fault! It's not your f-fault!" With that he burst into tears.

You didn't expect for him to cry. You panic mentally. What should you do on these type of situations? You pull him for a hug—albeit stiffeningly."Ok... Ok... Don't cry.... I don't like it... When you cry.. I'm sorry." You told him honestly, truthfully this is not the first time he argued about the incident with you.

You still feel ashamed of yourself. You really do.

The party. If only you didn't come to your friend's party. The guilt won't eat you. No matter how many times Micah convinced you that none of it was your fault. You feel like you can't face him. He did say he was also drunk at the time but still... You could have gotten home earlier and didn't force yourself on him.

You cried and apologised so many times from him at that time, swearing you will turn yourself over to the police and never let him see your face again. You saw how his whole body was full of marks, hickeys, and bruises. He look like he got ravage. His clothes were thorn and you wish the drug in your system that time killed you.

Micah's eyes light up and a smirk forming from his lips as he nuzzle his face on your neck, pretending to cry even more. Everything is planned, everything worked for him to get you under his palm. He can feel the guilt eating you.

"... it's okay... Hik... " He sob sneaking in to kiss your neck. You are to busy awkwardly and hesitantly patting his back and hugging him and the man love every second of it.

From the moment you save him from jumping off the bridge, he needed to make you his. Someone who genuinely cares for him from this greedy world is something he needed to treasure.

Oh how he had you wrap around his fingers the moment you accepted that drug-disguise juice from one of his friends offered by the man himself. It's your fault.

It doesn't matter. You're under his palm forever. Everything is 100% perfect.

84 notes · View notes

vampemoqueen · 2 days ago

Text

IT'S NEW EVENT TIME 💖

Hello everyone!

The season of love coming and I'm proud to announce the WoD Valentine's Exchange! Submit up to TWO characters to receive a gift and create one for someone else in return! We welcome all mediums and styles.

Fill out an entry on the form with your OCs, provide as many details as you can, and include visual references.

**GUIDELINES FOR REFS:**

- Please include at least 4 reference images as separate links or copy and paste into a Google Doc. Pinterest and other image sites also work.

- Reference images can contain art or photo references, such as face claims, outfits, art style inspiration, favorite things, etc.

- A link to a word doc with up to 500 words of details for one or both characters is also required. Write about their brief history, relationship dynamics, and other details your gifter should know.

**FRIENDLY REMINDERS:**

- All World of Darkness splats from any edition are welcome!

- Singles, platonic pairs, and friendships, are valid!

- You can opt out of the Romantic theme for a theme-less gift.

- Non-OC, canon, and other people's OCs (with permission) are accepted!

- Writing, crafting, and other forms of media are encouraged!

- AI generated work is not permitted.

Sign Ups close on January 28th when I will send out the gift requests to everyone. Submitted pieces will begin being delivered on February 14th, Valentine's Day, with the last possible deadline being February 28th. You are free to post your piece on socials starting the 14th.

You will be contacted at least two times during the event: once to confirm your participation, twice to check in and receive your final submission. Additional updates will be posted in the Discord art server: linkie here though participation is not mandatory. Crucial updates will always be posted here or sent to emails.

For questions or concerns, email me at [email protected], message me here, or on Discord at vampy8020. Thank you for your interest! The tag for this event is #wod valentine's day

Here's the link to the form:

#vtm #vampire the masquerade #world of darkness #werewolf the apocalypse #mage the ascension #wraith the oblivion #wod valentine's day #art exchange

57 notes · View notes

cosmic-giraffe · 2 days ago

Note

PLEASE make that post about reducing hasemura and hirojima down to just their ships im desperate to see people complain about this please i hate it so much

Ask anon, and you shall receive

First of all, I touched on this issue a few weeks ago, as you can read here, so I'll try and explain my thought process better! Secondly, this less of a complaint, and more of a study in fandom etiquette and the like.

I think people narrowing down the characters of Ken, Kazutoshi, Ojima and Hiroaki to their respective ships isn't an issue solely in the Tetro fandom, or Danganronpa as a whole. It's an issue in any media that includes queer ships, or ships in general (which is literally any media ever). As a gay person, I'll be speaking from my experience with this problem in fandom.

First of all, Hasemura. Both Ken and Kazutoshi are very interesting characters on their own, and their chemistry is undeniable. I'm a sucker for these two; for somebody as shy and socially awkward as Ken to befriend a brooding, jaded guy like Kazutoshi makes for some very fun and insightful interactions. Their contrasting lives and personalities are one of the draws for their dynamic. There was obviously something going on between the two of them, even if they never got the chance to vocalize or even understand the feelings they had. But this will-they-won't-they aspect of their dynamic isn't all that's to them.

Kazutoshi was a very depressed individual. He'd faced many hardships in his life, from losing his family at a young age to his myriad of health issues, to his mental illnesses resulting in multiple failed suicide attempts. But outside of his trauma, Kazutoshi was a very smart person. He was a forensic crime scene cleaner for God's sake, which definitely isn't an easy profession, mentally or physically. He wanted to study, he wanted to move past his hardships and flourish, he wanted to live. Just like everybody else in the killing game. But Kazutoshi was a total asshole, which I love. He didn't hold his tongue and kept people at arm's length out of fear of being hurt again.

Ken is the inverse of that. He has a supportive family, he has wealth, he has a support system in place. He might not be the loudest personality in the room, and he might stumble over his words more often than he can get a full sentence out, but Ken is a very kind and considerate individual.

For people to reduce all the intricacies and nuance of their characters and writing to their ship is doing them both a huge disservice. There's so much more to them than that. It's so much more interesting to view Kazutoshi and Ken's potential for a relationship as a small piece in the puzzle of their lives, instead of it being all-encompassing.

Going back to Kazutoshi, it is very sad to see the main takeaway from his death being "He never got to tell Ken that he loved him!" Which, yes, is undeniably tragic. In media, there's a sad trope called "Bury your gays", in which gay characters are killed off before they can ever have a happy ending.

I'm definitely not accusing Von of this, as Danganronpa has plenty of queer characters that die off (Chihiro, Mondo, Taka, Ibuki, Nagito, Tenko, etc.). But for people to look over all the missed opportunities Kazutoshi will never get the chance to experience because of his brutal death in favour of making his loss about Ken again is not the best look.

Now, onto Ojima and Hiroaki, because BOY do I have thoughts about these two, mainly Hiroaki (the little shit he is, I love him so much lmao).

These two suffer the same issue as Hasemura, that being all their characterization being boiled down to their shipping potential. Which isn't unsurprising, as they're two skinny pale twinks in an anime art style, which is like crack for teenage fujoshis lmao

But on a serious note, Ojima and Nakamigawa are more similar to each other than Ken and Kazutoshi are. Both have tense relationships with their families and their reputation, both have unresolved trauma, and both of them have an interest and career in the arts.

But that's where they differ. Ojima is an illustrator, and has a very intense crunchtime to navigate under in his profession. The stress of having to create art for countless projects definitely has its toll on him, but he still retains the passion that got him into this sector in the first place. Ojima doesn't have a bombastic personality, but he is stern when he needs to be, and is definitely one of the more mature students in the killing game. His bouts of disassociation are also an integral aspect of his character, and they are intermittent and uncomfortable.

And Hiroaki is one of the most annoying students ever and I love him. He's crass, pompous, has an irritating holier-than-thou attitude to anybody he deems to be beneath him, and can't take what he dishes out. He constantly picks fights and insults people, and then acts surprised when nobody wants to be around him. But underneath all that veneer of flashy designer clothes and bad boy image, Hiroaki is a very insecure boy that needs somebody to reel him in and let him know that being open, honest, and in touch with his feelings isn't at all a bad thing to be. He's shown his more sensitive side when he thinks Ojima is dissociating, when Tsuno was upset and she sought comfort from him out of all the other students in the school, and when he helped Hama and Wada grieve the loss of Isono, Chiba and Harada.

Hiroaki has the capability to grow and become a better person, and due to recent events, he is starting to do so. I hope he stays on this path and doesn't backtrack when things get tough.

Now, onto their dynamic. Ojima and Hiroaki obviously contrast and compliment each other well. This is all thanks to Von's writing. When Hiroaki shoots his mouth off, it's almost always Ojima that reels him in. When Ojima is in one of his lapses, it's usually Hiroaki who keeps him company by simply staying in the room, drawing, while he patiently waits for him to come back. They share dorm rooms to the point they're basically one room, they share clothes, they even share beds sometimes. The chemistry between them is undeniable, and that's why they're such a good pairing.

But what irks me is when people make their personalities completely revolve around the other. Hiroaki this, Ojima that, Hiroaki this, Ojima that. No mention of their interesting dynamics with other students, like how Ojima and Wada bonded over their respective histories with trauma, nor how Hiroaki and Tsuno confide their problems in each other so as to not burden anybody else with them (I'll take any opportunity to bring up Tsuno lmao).

And this is never more prevalent with Hiroaki's coming out scene.

It doesn't take a genius to know that being closeted is a very stressful time in a queer person's life. It's hiding a huge aspect of your life for fear of being judged by outsiders, or from being judged by yourself. That's why some people never come out of their closet, and are unable to accept and be their true selves. Which happens all too often.

Hiroaki's internalized homophobia kept him closeted for years of his life, which definitely wouldn't have helped his self-image issues. Being thrust into the public eye as the Ultimate Fashion Designer definitely wouldn't have helped, either, as now he had thousands of eyes on him. Due to this pressure, he played up his bad boy image by dating and sleeping with girls he had no attachment to, just to cover up for his own crippling insecurities and inability to accept himself.

When Hiroaki does come out of the closet for the very first time, when he finally accepts an aspect of his life he'd been repressing for years, he says it to Yanagi. Not Ojima. Yanagi. Yanagi, the guy who almost sold them all down the river during the first trial when he covered up for Sasaki (who they also both had very differing views on). Yanagi, the guy who beat the shit out of him and broke his nose, dislodged his tooth, and bruised up the face that he'd kept in immaculate condition for the public constantly watching his every move.

Out of all the people in the killing game, Hiroaki told Yanagi, and it was excellent writing for that to be the case. There was no judgement, no criticism, just acceptance, which is what Hiroaki has been seeking his entire life. But was forced to wear a costume that wasn't really him, just to avoid the pain of rejection or judgement.

And for some people to take this monumental step in Hiroaki's journey of self-acceptance and make it all about Ojima is INSANELY insulting. It's obvious that Hiroaki has feelings for Ojima, which definitely added to the mounting pressure of him being closeted, but in that moment, it was about Hiroaki and loving himself.

Now, in summary, I'm not saying shippers can't ship Hasemura or Hirojima. Quite the opposite. Be unapologetically gay!! But also keep in mind the harm they're doing when they reduce the participants down to their attraction to the other, as it is a disservice to Tetro's excellent character writing, and also perpetuates the issue that has been prevalent in fandom spaces for way too long now.

This was a very long post and I didn't realize just how much I had to say about this subject, but here we are!! Tetro has definitely wormed its way into my heart, and its characters are constantly rotating in my brain like a microwave lmaooo

#Tetro Danganronpa #Tetro Danganronpa Pink #Danganronpa #Fanganronpa #Ken Hasegawa #Kazutoshi Kamimura #Ojima Takeshi #Hiroaki Nakamigawa #My post #My thoughts

31 notes · View notes

flowersandspacestuff · 2 days ago

Text

Hmm.. I want to guess that havkng time alone to learn to process emotions and potentially having more time with family (for those with healthy families) could have been a contributing factor.

"Teen drug use continued to fall in 2024, extending a dramatic decline spurred by the COVID-19 pandemic that experts expected would reverse now that the acute phase of the global crisis is well over.

But, according to data released Tuesday [December 17, 2024], the number of eighth, 10th, and 12th graders who collectively abstained from the use of alcohol, marijuana, or nicotine hit a new high this year. Use of illicit drugs also fell on the whole and use of non-heroin narcotics (Vicodin, OxyContin, Percocet) hit an all-time low.

"Many experts in the field had anticipated that drug use would resurge as the pandemic receded and social distancing restrictions were lifted," Richard Miech, team lead of the Monitoring the Future survey at the University of Michigan, said in a statement. "As it turns out, the declines have not only lasted but have dropped further."

The Monitoring the Future study—which has been running for 50 years and is funded by the National Institutes of Health—surveys a nationally representative group of teens each year on their involvement with the ever-evolving drug landscape. This year, the survey collected data from over 24,000 students at more than 270 public and private schools.

The initial drop in drug use between 2020 and 2021 was among the largest ever recorded. And researchers like Miech expected the rates would bounce back, at least partially. But now, the data suggests the pandemic has started a wave of abstention that is still rippling through grade levels.

A new era

"Kids who were in eighth grade at the start of the pandemic will be graduating from high school this year, and this unique cohort has ushered in the lowest rates of substance use we’ve seen in decades," Miech noted.

For alcohol, use in the past 12 months among eighth graders was at 12.9 percent in 2024, similar to 2023 levels, which are all-time lows. For 10th graders, the rate dropped significantly from 30.6 percent in 2023 to 26.1 percent, and for 12th graders, from 45.7 percent to 41.7 percent—both record lows.

For nicotine vaping, rates fell for 10th graders (from 17.5 percent to 15.4 percent) and remained at low levels for eighth and 12th graders. For marijuana, use remained low for eighth and 10th graders and fell significantly for 12th graders (from 29 percent to 25.8 percent). All three grades are at lows not seen since 1990.

For abstainers from alcohol, marijuana, and nicotine in the prior 30 days, the rate among eighth graders hit 90 percent, up from 87 percent in 2017, when it was first measured. The rate was 80 percent among 10th graders, up from 69 percent in 2017, and 67 percent for 12th graders, up from 53 percent in 2017.

"This trend in the reduction of substance use among teenagers is unprecedented," Nora Volkow, director of NIH’s National Institute on Drug Abuse (NIDA), said. "We must continue to investigate factors that have contributed to this lowered risk of substance use to tailor interventions to support the continuation of this trend.""

-via Ars Technica, December 17, 2024

#drug use #interesting #social dynamics #sociology #psychology

392 notes · View notes

the-crooked-library · 3 days ago

Note

You are so right with your takes about Nosferatu that someone who looks soft and speak nicely is, in fact, capable of causing pain regardless. Add Von Franz to it. On the surface he’s silly funny grandpa who talks to Ellen nicely and is attentive to her and understands her. And in what it culminates? In that he’d gladly use her as a sacrifice to solve their vampire problem! He has no problems to use her in such a way, he has no problem with sacrificing another human being, he’s not even particularly heartbroken when she dies -he just arranges the flowers on bed ritualisticly and takes her cat being very happy and proud with himself ! He also has that maniacal episode when he laughs like a lunatic in the manor and burns everything down, laughing while he knows Ellen is feeding herself to vampire. Because he actually failed her too, because he didn’t even try to find or use other methods to kill Orlok like staking him or dragging his body during daytime to daylight and just burn it. All his nice eccentric talk and his interest in her occult powers, all it was just a fancy to him for research purposes, and ultimately just so he could use her as a tool against vampire. So we have Sievers who ties her up and drugs her against her will, Harding who supports that and hates her and Von Franz who talks soft on the surface and under surface is quick and ready to essentially kill her if this killing would help against vampire. Plus Thomas who doesn’t fully understand her, is afraid of her powers and would try to have sex with her because of his fragile masculinity despite Ellen being in not right state mind at that time. It seems Ellen indeed had no chances in the land of living with such normal people around her.

exactly - and Von Franz especially is an interesting character in that sense, since (as you said) he does present himself as a largely benign, eccentric, funny old man. The way he treats Ellen is not perceived as an outright attack, as it is with Harding or Sievers - or a betrayal, which is the connotation of Anna's snapping at her, or Thomas' horror at her psychic fit. Ellen is, by and large, complacent with the way he speaks of her and to her; and that is because he represents the Moral aspect of society, of which she believes herself to be in violation.

Von Franz is seemingly kind, he prioritizes always the "greater good," he pities Ellen's lot in life - and he is curious, delving into the occult with all the excitement of a tourist; and while he is blundering and (unlike Stoker's Van Helsing) severely lacking information on vampires specifically, that is still the closest thing to acceptance that Ellen's ever received from a human. As such, she does not actively resent him as much as the others; but their relationship is still characterized by a distinct sense of obligation. Even if he is hesitant to broach the topic, she offers herself as a sacrifice; and that is, in a structural sense, a direct narrative follow-up to his professed worldview.

Their dynamic rests on Ellen's diagnosis. Von Franz believes her to be cursed - which is not only incorrect, but also the sort of statement that, contextually, bears a significant moral and religious weight. While the social influence and popularity of Christianity has in some ways diminished over the last two centuries, it is still so ingrained within the cultural setting of Nosferatu that it practically goes unsaid. However, what I think is important here is that, in various Christian-influenced folkloric traditions, a curse is often something that must be earned; while some curses happen as a result of sheer bad luck, others are just as often presented as manifestations of God's wrath at oneself or at one's ancestors - who, through some grievous sins, have doomed their entire bloodline to its effects (if you go looking for contemporary fiction featuring the subject, may I recommend Gogol's Terrible Revenge (1831)?.. His context is Slavic and Eastern-European, not German, but it's still a fascinating read). The point being, since she was 1) born with her powers 2) summoned Orlok herself 3) broke their vows by marrying Thomas, therefore being the reason he came to Wisborg, Ellen believes that she is uniquely at fault for her own - and everyone else's - suffering.

With that, sacrificing herself appears to be the next logical step; after all, she is already doomed. To her, it is atonement; it is an excuse to indulge a side of herself she has repressed all her life, guilt-free, for one last night; but you are correct in saying that Von Franz sees her primarily as a tool. Ellen's value, to him, is mutable - defined by circumstances (priestess or sacrifice), rather than inherent; and his easy willingness to sacrifice her, despite his tendency to ignore her complexity in favour of bland, palatable, angelic innocence, speaks volumes. Whether she is perceived with sympathy or vitriol, Ellen is still dehumanized. It may be seen as an allegory for the madonna/whore complex, disability porn/demonization, respectability politics perfect minority shit; I mean, take your pick. There's layers. The point is, within the eyes of society, she is expendable - no matter how you spin it.

That said, Von Franz is himself a heavily symbolic character. As the physical representation of Ellen's understanding of socially acceptable Morality, it is only expected that he would sacrifice her, and she is not only unsurprised by that outcome, but also justifies it - she believes that she deserves to die. His manic glee at the destruction of Herr Knock, who may or may not have been in the process of turning, is also something she (and thus the viewer) would expect; after all, the European understanding of morality in the 1830s (and in our modern day, let's be honest) was heavily Christian - and when Good triumphs over Evil, what else would it look like?.. How does a wrathful, vengeful God manifest?.. Would He laugh as He did the smiting?.. In either case, He does not offer much in terms of comfort to the sinners, and Ellen obviously believes herself to be one. She is struggling with overwhelming guilt, turning to one character after another for anything she could interpret as forgiveness; but Von Franz cannot reassure her that Evil does not come from within (the Father does not grant her absolution). Even as she reaches out to the most caring, sympathetic members of her surrounding society, she discovers that they cannot provide her the relief she desperately wants. As you say, she has no place with them. She does not belong with them or with God. She is not meant for humanity.

Rejected by the Light, Ellen is left facing a reverent, hungry Darkness that wants her more than anything in the world; and, curiously enough, Von Franz fulfills his Fatherly aspect in this regard, as well. Specifically, he plays the role of her father at a wedding.

He gives her away.

#nosferatu #nosferatu 2024 #ellen hutter #von franz #lily rose depp #willem dafoe #robert eggers #vampires #nosferatu spoilers #horror film #gothic horror #horror film analysis #nosferatu meta #gothic horror film

31 notes · View notes

mhevarujta · 2 days ago

Text

It's interesting to me that fans have started using the 2016 version of the Nosferatu script to rationalize that they are romanticizing Ellen and Orlok's relationship in the 2024 movie, which is NOT based on that version of the script in the first place.While Ellen is still very much attracted to and yearning for Orlok, their dynamic is fundamentally different. In fact, while it shares the same plot, the movie is fundamentally different on a psychological level.

What was in 2016 a 'dark love' she felt becomes a 'dark bond' by 2023's final draft. The emphasis of the ending also shifts. It focuses on Ellen's sacrifice to redeem the city and on her moment of victory that is completely absent in the 2016 version, where Ellen's consummation with Orlok was just meant to be affirming. In the 2023 version, when she calls Orlok to her, Ellen's tear is not one of happiness. She is not acting lovingly as she was in the first draft. In the final product there is also a much more violent quality to Orlok's pursue of Ellen and a deliberate acknowledgement of the carnage that is absent in 2016. Ellen and Thomas' relationship is also stunningly different. In 2016's version Ellen DOES tell him she loves him, but there it's marriage(as a social convention) that makes her 'as normal'. In the shooting script, it's 'love'.

There is a lot to be said about Eggers' change of heart being possibly affected by the similarities between Nosferatu (2016) and The Witch in their approach of women's sexual repression, but that's for another time.

My initial point was that in the movie that was actually made Eggers has CHOSEN to depict a more violent and predatory relationship between Ellen and Orlok. Proshippers can go back to the script of a version that was never made to try to validate their takes and try to insult other people's intellect, speak of MeDIa LitEraCY (these two very overused words), but that's reductive and it speaks of an outright refusal to engage with the themes of the actual movie.

Of course, I don't think that the interpretations that try to erase Ellen's attraction to Orlok are any better, and I DO understand that the reactionary takes that inspired this post come largely from a place of people who romanticize/fetishize Ellen x Orlok being attacked. I get that it's tiresome and frustrating to have one's morality, values and mental capacity degraded on the grounds of finding joy and sensuality in a harmless fictional ship. There's nothing wrong with engaging with this story as a tale of transgressive desire, neither is it something that women haven't done before Eggers' version.

But I feel that too many viewers are stuck with the version of the movie that they WANTED to see instead of the one that Eggers ended up making.

#nosferatu #nosferatu 2024 #ellen hutter #count orlok #robert eggers

28 notes · View notes

8thhousepriestess · 3 days ago

Note

Hello, what are some indicator of being alone your whole life and general experiencing some multilevel loneliness such like feeling of not belonging to both your friends and family? Personally I have cancer Jupiter in the 12th house, scorpio moon in the 4th house and gemini stellium (saturn, mars, venus, north node) in the 11th house and so far I've been feeling this through majority of the time...

Hey fellow Leo Rising 🦁💛! It’s not an easy path when you have a special purpose in life and are literally ruled by the Sun. Finding where to shine your light and where it’s appreciated isn’t an easy task.

Mars retrograde going back into Cancer yesterday in our 12th house can also bring a feeling of extra loneliness, introverted and even more so self reflective. ( I am definitely feeling some of this myself).

[ My sig. other is also a Leo Rising with Jupiter 12th house Cancer. He has always felt like he never belonged anywhere or with anyone. Very, quiet, humble, hides his light under a basket, doesn’t give himself enough credit. Always does for others. He’s very lucky throughout life though and opportunities through others land on his lap even though he barely speaks people just seem to like and want to help him . Just a little relatable story. Anyway… ]

- Scorpio moon 4th house could indicate a mother wound associated with abandonment and emotional betrayal or not feeling safe to fully express yourself growing up within the family environment. Feeling like an outsider and misunderstood. You feel your emotions in the core of your being more so than others so it can be hard to find others who relate and understand such a gift to feel so deeply. Doing shadow work to understand the root of your being can be profoundly healing leading to self acceptance/self love where you then become a source of healing and a guide for others.

- Saturn in the 11th house can bring challenges in forming solid lasting friendships or feeling like you truly belong in groups. You might take social connections very seriously, and others might perceive you as distant or hard to approach. Where Saturn is in the birth chart is where you usually experience delay - but promises success in that area later in life. So friendships may improve later in life as you build deeper, more meaningful connections.

- Cancer Jupiter 12th house - emotional and spiritual growth is deeply tied to nurturing and compassion. However, Jupiter in the 12th house often expresses itself behind the scenes, through solitude, spiritual work, or helping others selflessly. This placement can sometimes lead to feeling “hidden” or misunderstood, as your most expansive and optimistic qualities might not be readily visible to others.

- Gemini 11th house stellium (Saturn, Mars, Venus, North Node)

The 12th house Jupiter and 4th house Scorpio Moon suggest a strong need for privacy/solitude to process emotions and develop inner strength. At the same time, the 11th house stellium wants you to step out into the world and connect with others, even if it feels challenging at first.

Gemini North Node 11th house - Your life purpose involves mastering group dynamics, embracing your individuality, and contributing to the collective. However, the journey toward this goal may feel isolating at times as you learn to navigate complex social dynamics. Focus on building a community around shared interests. Accept that not everyone will fully understand you, but those who do will TRULY value your unique perspective. Finding your tribe is KEY. Online outlets of like minded people may be where you find where you fit. Gemini is about duality so you might find yourself being a “wanderer” jumping from group to group which is COMPLETELY okay… experience all that life has to offer!! Aquarius descent- freedom in relationships to be who you are and wherever you want to go.

• Gemini Mars 11th house (which I also have) - suggests in younger years having conflict within social circles or fighting. As you grow and evolve you will become a leader of your social circle where you feel passionate. Jupiter transiting on my mars here is when I met both my long term love relationships.

• Gemini Venus 11th House - Venus softens some of the harsher energies of Saturn and Mars. Love and/or meaningful friendships can be found when significant transits like Jupiter conjuncts here. I am adamant on the Jupiter transits because Jupiter finds its joy in the 11th house. It may take a bit of work or involve complications at first bc it’s detriment in Gemini.

🤍🫶🏻 What you can do to overcome the feelings of loneliness and thrive….

- Create a sanctuary for yourself where you can explore your emotions without judgment. This will help balance the intensity of your Scorpio Moon and the introspective nature of your Cancer Jupiter.

- With your Gemini stellium in the 11th house, joining like minded communities/groups that align with your intellectual interests can help you find your “tribe.” Focus on quality over quantity in friendships.

- Saturn in the 11th house suggests that your ability to build lasting connections will improve with age and effort. Be patient with yourself as you learn lessons of Saturn that help you mature and master overtime.

- Channel the emotional depth of your Scorpio Moon and Cancer Jupiter into writing, art, or another creative outlet. This will help you feel seen and understood. Also, this will help you develop a relationship with yourself where self love will form. When you develop a relationship with yourself and love yourself ( shadows included ) you will never feel lonely .

I hope this answered your question and helped you understand your placements a little better. Kind of went on a tangent because I can totally relate. Thank you so much for writing to me.

- ☺��💜STEPH

23 notes · View notes

luv-beam · 2 days ago

Text

HI TARA!!! my thoughts while reading are under the cut :'))) but i gotta say that i fall in love w ur writing every time i read something from u:

• i would like to start off w the fact that u set the scene so incredibly well, like im in awe and envy at this beautiful scene ur painting for us 😭 not to mention that it all flows really well too; just a strong opening paragraph

• awwwh PLS THE BIG BROTHER LITTLE SISTER DYNAMIC!!! when the little sis thinks the absolute world of her big bro :'))) and when she's even more mad than he is LMAO the TOAD LINE??? damn seokmin i was not aware of ur game

• lowkey i would have folded that fast too if duke lee seokmin of lancaster played along and kissed my hand

• this starting line ^ crazy good... like i'd like to sear this into my mind so i never forget it?? the social szn unfolds like a delicate fan??? adding another layer to the tapestry of ur life??? lee seokmin????

• HE HAS AN UNCANNY ABILITY TO ELEVATE THE ORDINARY UGHHHHH WHAAAAT A LINE i love that so, so much and it's so true as well

• awwwh yn and seokhao's goodbyes are so sweet :'')))) im so glad they all hold so much affection for one another

• "your penchant for wool is far more than my eyes could bear" im cryingksnfkdnjf seokmin sulking over the wool while he's away,, sometimes i like to imagine him as a damsel draping himself out of the window sill of a tower

• i love how yn describes herself feeling empty while hes away like heh... i know something u dont... heh :))))) and crocheting? me too!!! so cute that she made him smth

• TARA U R A MASTER AT IMAGERY!! the opening lines of age 15 are mwah chefs kiss like if i could draw/paint, i would literally turn this fic into a graphic novel for u

• tulip... brb while i burst into tears

• started grinning like an idiot while reading this ^ i can see his playful melodrama and the smile on his face,,, im so down bad like i would fold like a lawn chair if we played around like this irl (i say as a grown ass woman)

• oh how i do love the classic brushing of the limbs that gets the mcs blushing like hell... also love what u did there w the planting seeds in ur mind to decode later while they're literally planting flowers... i see u tara u genius

• oh wow the total 180 w the reveal of the duke's death (also seokmin addressing her as my dearest tulip TT) — thinking of seokmin entering the social szn as a recently-made duke and all the girls hounding after him in his fresh grief......

• this section (seok and hao just got back after the death reveal) is short but so bittersweet. like when u give seok the swords from the flower bed and he just kind of chuckles like yes... days gone by huh... UGH

• it breaks my heart to know that seokhao now have their dead fathers as something in common 😭😭😭 its sweet tho to know they're all looking out for each other. im w yn tho, i hope hers and haos relationship isnt negatively affected by this :'))

• THE RETURN OF THE TAPESTRY METAPHOR

• okay i have to confess something... this is my second time reading thru... and so im reading the part where minghao and yn talk in the garden and he's warning her of the whispers springing up abt her and seok and im like... freaking out bc i KNOW WHAT HAPPENS 😭 IM GNAWING MY FIST LIKE IK THAT HAO'D CONCERN IS SINCERE AND IM JUST SJFNKENFKFJF THIS SCENE HOLDS SO MUCH MORE WEIGHT DURING A REREAD (why i love comparing my thoughts btwn a first and second read tho, like u see things /differently/)

• i love the teasing and sweet assurances in the letters 😭 like they're so genuine and cute (rip minghao)

• AHHHHH THE SMOKING SCENE FROM SZN ONEEEE i like this change of dynamic tho instead of being btwn siblings, it's now btwn two love interests friends

• WE CANT ALWAYS HAVE WHAT OUR HEARTS DESIRE???? WHILE LOOKING AT US LIKE THAT LEE SEOKMIN????????? HHEHDJDJFJFJKFKFK

• sure sure fencing BUT YEARNING TO FIND LOVE?? BUT MY DEAR SIR?? YOUR GRACE, YOUR LOVE IS RIGHT NEXT TO U

• THE LONGING AND ASPECT OF THE FORBIDDEN MAKES THE SMALL DISTANCE BTWN U YAWN LIKE A CHASM AHHHH THIS PASSAGE!!!! like oof... i love angst and yearning like this, where im screaming at my phone screen to just kiss her already (knowing the... perilous journey ahead... heh...)

• friend.... FRIEND???? brb gonna go waltz into oncoming traffic

• oh the way this ends 😭😭😭 like my heart is being squeezed,,, the way he whispers tulip and the roots of ur love for him take hold UGGGHH!!! I CANT DO THIS

i will have to endure for another day tho and i will return for chapter two tmrw! i loved this even more than the first time i read it (and i loved it a lot then too)!! i was really able to sit w ur words this time, and i do have to say tara that u have such a talent for imagery, like omg this was so beautiful TT but thank u for writing this!! hope ur having a lovely day/night and i'll be back o7 💖

The Somerset Affair | Chapter 1: Whispers in the Garden

pairing: lsk x fem!reader genre: Bridgerton AU, friends to (?????) to eventual lovers, brother’s best friend, SLOWWWW BURNNN chapter wc: 8.2k warnings: alcohol consumption, societal expectations, eventual smut, more to be added a/n: CHAPTER 1 IS FINALLY HEREEEE // as always, ENORMOUS thanks to indi @wongyuseokie for this GORGEOUSSSS banner // and to my lovely betas shu @welcometomyoasis lou @tusswrites haneul @chanranghaeys this could not have happened without you // 2nd chapter will be up soon!!!

summary: lee seokmin is a scoundrel for having beaten your brother at fencing. or... is he?

comment to be tagged when chapters are posted, or join the fic taglist here!

Age 8

Mayfair is alive today. The Somerset estate hums with energy, a ripple of excitement passing through the gathered crowd, their eyes all fixed on the fencing match taking place in the wide, manicured garden. The afternoon sun casts a golden haze over the scene, warming the air and wrapping everything in a soft, honeyed glow. Laughter and chatter float like music across the grounds, underscored by the occasional ring of steel clashing against steel. The sweet fragrance of roses drifts on the light breeze, mingling with the fresh scent of cut grass. You sit near the front, your small hands gripping the edge of your chair, bouncing with excitement as you watch your older brother, Minghao, spar against a boy you've never seen before.

This new boy stands tall, his dark hair tousled in the breeze, and a sharp determination shines in his eyes. The way he moves—it’s confident, with an energy that seems far beyond his years. Your brother, usually so self-assured, falters as the boy steps onto the mat. A flicker of unease passes through you, twisting in your stomach. You can feel the tension, see it in the way Minghao adjusts his grip on his sword. The match begins, and every time the swords collide, the sound reverberates through your chest. Your heart sinks a little more with each point your brother loses, and soon, the inevitable happens—the newcomer disarms Minghao with a flourish so smooth it draws gasps and murmurs from the audience.

"Such skill!" someone whispers, while others erupt in applause, their cheers filling the air. But you remain still, arms crossed tightly over your chest, brows drawn into a deep frown. How dare this boy defeat your brother? And so effortlessly! You want to scowl, to hold on to your anger, but the sound of the crowd’s cheers washes over you, making your resentment grow.

Seokmin—that’s his name, you overhear—steps forward, offering Minghao a hand, his smile wide and bright like the afternoon sun. "A splendid match, my lord," he says, his voice rich and full of youthful pride. "I must confess, I didn’t expect to come away unscathed!"

You narrow your eyes, watching as your brother, ever gracious, accepts the handshake. There's a mixture of admiration and annoyance in his expression, a good-natured acknowledgment of defeat. They exchange lighthearted jests, their laughter mixing with the lingering applause. But you? You're fuming. This boy, with his easy smile and seemingly endless charm, had just bested your brother, and you feel a burning need to dislike him for it.

Then, as if sensing your discontent, Seokmin turns to you, his eyes glinting with mischief. “Ah, you must be Lord Minghao’s sister?” he says, his grin widening into something playful, teasing. “Goodness, you make him look like a toad by comparison!”

Your mouth drops open in shock, a wave of indignation rushing through you. How dare he say such a thing? And worse—how could your brother laugh? "I beg your pardon?" you snap, standing as tall as your small frame will allow, arms crossing even tighter across your chest.

"Oh, I mean no offense, miss," Seokmin chuckles, clapping Minghao on the shoulder. "I jest, of course! Merely saying that you’re far lovelier than your brother—though, admittedly, it’s not a particularly high bar."

Despite yourself, your scowl begins to soften. There’s something about the way his eyes crinkle at the corners, the lightness in his voice. It’s hard to stay angry when he looks at you like that, as if daring you to join in on the joke.

“Mama says men who try to charm without revealing their titles aren’t to be trusted,” you counter, lifting your chin with defiant pride. The quip comes out sharper than intended, but you’re determined not to let him get the better of you.

Minghao gasps, hands raised in mock horror. “Sister, truly, must you always speak so boldly?” He turns to Seokmin with an exaggerated sigh. “Please Seokmin, do forgive her. I assure you, turning eight has done little to improve her temperament.”

“You’re only two years older than me, brother!” you huff, your voice a touch more indignant. Before you can continue, though, Seokmin drops into a low, dramatic bow, the movement exaggerated and theatrical.

“The fault is entirely mine, my lady,” he says in mock seriousness, rising and extending his hand toward you. “Lord Lee Seokmin, future Duke of Lancaster. At your service.”

Two years of etiquette lessons flood your mind, and with a sudden burst of excitement, you place your small hand in his. Seokmin bows once more, this time dropping a playful kiss on your knuckles as you curtsy. You can hear Minghao’s exasperated sigh as he rolls his eyes, but you ignore him, a smile tugging at the corner of your lips.

Maybe Seokmin isn't such a scoundrel after all.

As the day wears on, you find yourself watching Seokmin from the corner of your eye. Despite your earlier indignation, there’s something undeniably captivating about him. You notice the way he treats everyone with kindness, far beyond what’s expected from someone his age. When a younger child stumbles near the fencing ring, it’s Seokmin who rushes to their side, kneeling in the dirt, his voice gentle as he asks, "Are you alright?" He helps the child up, brushing off their clothes with such care, you can’t help but be touched. "Fear not," he says, a smile returning to his face, "you’re not a toad—you’re a knight in training!"

The sight makes your heart soften further. How could someone so infuriating also be so kind? The lines of irritation you had drawn between you and Seokmin begin to blur, shifting into something more like curiosity.

As the sun sinks low, casting a warm amber glow over the estate, you find yourself gravitating closer to where Seokmin and Minghao stand, their voices rising and falling in animated conversation about fencing techniques. Seokmin’s laughter, bright and carefree, fills the air like music, and before you know it, you’re smiling too; there’s something undeniably magnetic about him.

Despite your best efforts, you can no longer deny the strange fluttering in your chest—a curiosity, perhaps even fascination, that you hadn’t expected. Maybe, just maybe, Seokmin isn’t such a scoundrel after all.

The days of the social season unfold like a delicate fan, each gathering adding another layer to the tapestry of your life, and with every event, Seokmin becomes a constant presence. He is no longer just an occasional guest—he’s a breath of fresh air, his laughter ringing through the halls of your family’s estate, turning even the dullest moments into something lively and bright.

The lively soirées your parents host become a stage for his effortless charm. Ladies in the latest fashions exchange flirtatious glances in his direction, while gentlemen engage in animated debates about politics and sport, the buzz of conversation always punctuated by Seokmin’s easy laughter. His presence transforms these gatherings, turning what once felt like routine social maneuvering into vibrant affairs filled with warmth and genuine joy.

Whether he’s lending a hand to your mother in the garden, his sleeves rolled up and face relaxed in concentration, or sparring with your brother in a friendly match, Seokmin has this uncanny ability to elevate the ordinary. What might be a simple afternoon stroll or an idle conversation becomes a moment of significance when he’s around. Sun-drenched afternoons spent wandering the estate take on a new glow, each moment painted with the sound of his voice, the infectious energy he brings.

Age 14

The day Minghao and Seokmin leave for Eton is etched in your mind with vivid clarity, every detail sharp and impossible to forget. The morning is cool, yet the sun spills across the courtyard in golden rays, casting long shadows from the trees that sway gently in the breeze. The scent of dew-laden grass mixes with the faint perfume of your mother’s rose garden, but even the beauty of the estate feels muted by the melancholy lingering in the air.

Minghao, ever composed, stands with the straight posture expected of him, his hands clasped behind his back, looking every inch the young man ready to step into his responsibilities. His face, though calm, carries the weight of leaving home, but he hides it well, his eyes betraying only a flicker of the emotions swirling beneath the surface.

Seokmin, on the other hand, struggles more visibly with the impending farewell. His usual cheerful grin falters, the lightness of his presence dimmed as he glances between you and Minghao. He tries to keep up his usual charm, cracking jokes that feel just a little too forced, his laughter not ringing as true as it normally does. There’s a vulnerability in his eyes, a softness you haven’t seen before, as if he’s trying to hide his own sadness behind that well-worn mask of joviality.

As they load their trunks into the carriage, a heavy knot forms in your chest. You know you’ll miss your brother, but it’s Seokmin’s departure that stings deeper. He’s been more than a friend these past years—he’s been a constant, a steady warmth you’ve come to rely on. His laughter, his easy charm, the way he could turn even the most mundane day into something special. The thought of him being gone, of not seeing him wander the estate with his boundless energy, makes your heart ache in a way you didn’t anticipate.

You step forward, your fingers trembling as you reach for Seokmin’s hand, your grip tighter than intended. “Promise me you’ll write?” you ask, your voice barely more than a whisper, each word trembling with the effort to hold back tears.

Seokmin’s eyes soften as he looks down at you, his usual grin giving way to something gentler. "Of course," he says, his voice steady but quieter than usual. He squeezes your hand, his thumb brushing over your knuckles in a gesture meant to comfort. “I’ll make sure you get the best letters—no boring stories, only adventures, I swear.” His grin returns, albeit a little weaker. "Besides, my lady, your brother and I will be back to torment you again come springtime!"

Minghao coughs politely. “No tearful goodbye for me, sister?” he asks, his voice teasing, but there’s an undercurrent of affection in his words. His eyes flicker between you and Seokmin, amusement tugging at the corners of his lips, though his posture remains upright and composed as ever.

You tear your gaze from Seokmin and offer your brother a watery smile. “Do not fret, dear brother,” you say, a bit of your usual wit returning. “I’ll save the tears for later, when the house is quiet without the two of you causing chaos.”

My Dearest Y/N,

I trust this letter finds you in fine spirits, though I daresay it is far more likely that you are wrapped in the cozy embrace of your favorite blanket, lost in a book, while the world outside continues on its merry way. I cannot help but smile at the thought, for you have always possessed the rare gift of finding joy in the mundane.

Eton is quite a spectacle, I must confess. The architecture is enough to make one feel as though they have stepped into a storybook. However, I must admit my fellow classmates lack the charm and wit of my beloved friend.

Oh, how I miss our little chats! It is a curious sensation to feel so far from home, yet I am bolstered by the knowledge that you are there, keeping our little world intact. Do tell me that you have not yet taken up knitting—your penchant for wool is far more than my eyes can bear.

Yours most fondly,Seokmin

My Dearest Seokmin,

Eton sounds positively enchanting.I must admit, the thought of you amidst all that grandeur brings me no small measure of joy—though I do hope you have not yet been swept away by the grandeur of it all! I find it impossible to imagine anyone there being quite as dashing as you.

Life here, as you suspected, is a touch quieter without your vivacious presence. I feel compelled to admit that I found myself rather melancholic the day you left. It was a curious sadness, one that clung to me like a shadow. The house feels a touch emptier, and while I do find solace in my books, nothing compares to the ease of our conversations. The warmth of your laughter is a melody I find myself longing for, especially on the coldest evenings.

Do keep writing, dear friend. Your tales from Eton are the very lifeblood of my days, and I shall regale you with the ongoing drama of our little realm. Until then, consider me your most devoted fan, ever eager for your next missive.

With all my affection,Y/N

P.S. You will take great pleasure in knowing that I have, in fact, taken up crocheting. A lovely cap, perfect for early springtime chill, awaits you at the estate.

Age 15:

Seokmin’s return each spring is as reliable as the first crocus peeking through the thawing earth, marking the true end of winter. His arrival is never just an event—it’s a burst of life that sweeps away the dullness left by the cold months. Every year, your excitement bubbles over as you anticipate that familiar moment when the world feels a little brighter with his return. The sunlight bathes the garden in warmth, a golden hue spreading like liquid over the well-trodden path he walks down, Minghao beside him. Their laughter floats through the air, a melody that harmonizes with the soft rustle of blooming flowers and the hum of spring.

When they finally come into view, your heart quickens, as if drawn into the rhythm of their steps. With Minghao’s ever-amiable grin and Seokmin’s radiant energy, they are a pair that seems to make the world tilt just a little toward joy. Every spring, it's the same—they stride toward you as if no time has passed, as if the long months apart were nothing but a brief blink in the grander scheme of your lives. And each time, the three of you fall into the same routines as though nothing has changed.

It usually begins with some mischief. They never fail to poke fun at you until you’re red-faced with exasperation. Seokmin, with that teasing glint in his eyes, will say something absurd or playfully condescending, and Minghao, ever the instigator, will back him up with a sly smirk. It’s only a matter of time before you lose your patience, yell, and stomp your foot, your protests ringing louder than you’d intended.

Your raised voice inevitably draws the attention of your mother, who reprimands you from the kitchen window with her usual fond disapproval. "Now, now," she’ll chide, a soft laugh hidden in her voice. "There’s no need to shout, dear. They’re only playing."

Of course, that’s the cue for Seokmin and Minghao to burst into laughter, doubling over in amusement at how easily they’ve ruffled your feathers. You scowl at them, but it’s hard to keep a frown on your face when they’re both so gleeful, their joy infectious, lighting up the entire garden.

One afternoon, not long after their return, Seokmin and Minghao find their old practice fencing swords—long forgotten and buried deep in the flowerbeds, peeking out from beneath the tulips. You watch as they unearth the swords with a mixture of surprise and amusement, both of them laughing as if uncovering a treasure trove of memories. Their faces are bright with nostalgia as they pull the dirt-encrusted weapons free, brushing off the petals clinging to the blades.

It's then that Seokmin starts to call you "Tulip," a private little nickname he utters only when it's just the two of you. The first time he says it, there’s a lightness to his tone, his lips curling into that mischievous smile of his. “You know,” he says, leaning in closer as you both watch Minghao attempt a ridiculous fencing stance in the distance, “it only makes sense. After all, you’ve been hiding our swords with the tulips. I think ‘Tulip’ suits you.”

At first, you roll your eyes, feigning annoyance, but there’s a warmth in your chest at how easily he’s assigned you such a tender nickname.

One particularly warm afternoon, your mother summons you to help her with the flowerbeds, a chore you reluctantly take on. The sun beats down, the heat pressing into your skin and the earth beneath your fingers, while the scent of soil and fresh blossoms hangs thick in the air. You sigh, resigning yourself to the tedious task when, suddenly, a familiar voice cuts through the stillness.

“Ah, the fair lady in her noble endeavor!” Seokmin’s voice rings out, full of his usual playful grandeur. He strides through the garden gate, sweeping an imaginary cape behind him with exaggerated flair. His smile is as bright as the sun itself, lighting up the whole space. “Fear not, for I shall be your loyal squire in this quest for botanical beauty!”

Despite your earlier annoyance, a reluctant smile tugs at the corners of your mouth. Seokmin has a way of making even the most mundane tasks feel like an adventure. You watch as he bounds toward you, his movements light and full of energy. With an exaggerated show of determination, he rolls up his sleeves, pretending to prepare for battle. The weight of the day feels lighter already.

Together, the two of you dig your hands into the soil, your fingers dirty and the air filled with the soft rustling of the leaves around you. Laughter bubbles up between the two of you, mingling with the breeze as Seokmin’s animated voice brings life to the still afternoon. As you plant flower after flower, he regales you with tales of his fencing matches at Eton, his voice lively, arms waving dramatically to mimic the grand duels he’s fought.

“You wouldn’t believe it,” he says with mock gravity, “this boy was at least twice my size, and I won the match with nothing but clever footwork and a flick of the wrist!” He pantomimes the move, his arm cutting through the air like a sword.

You laugh, shaking your head at his theatrical retelling, the tension of the task dissolving with every story. It’s impossible not to get caught up in his enthusiasm. “Is that so?” you tease, barely holding back a grin.

“I daresay, footwork in fencing is quite the advantageous skill,” Seokmin says, dropping to his knees beside you with faux-seriousness, inspecting the flowerbed as though it holds the secrets to the universe. “If one can move with the grace of a dancer, one can—”

Just as he gestures again, his elbow brushes against your arm, and suddenly, time seems to slow. The lighthearted atmosphere is pierced by a spark, a ripple of warmth that travels through you. Both of you freeze, his eyes widening in surprise. His cheeks flush a light pink as he quickly pulls back, his confidence faltering for a brief second.

“My sincerest apologies,” he stammers, the usual brightness in his voice now tinged with uncharacteristic bashfulness. He resumes his work, his fingers trembling slightly as they sift through the soil. The warmth of the sun suddenly pales in comparison to the heat between you.

“It’s quite all right,” you reply, your voice shaky, your heartbeat far more rapid than you’d like. “Just... gardening, after all.” You try for casualness, but the words sound ridiculous even to your own ears, given the charged air lingering between you.

Moments later, you stand to stretch, hoping to shake off the strange energy that has settled over the both of you. Seokmin leans in to grab a nearby tool, and his shoulder brushes against yours again—this time, the contact lingers for just a second too long. The heat of it sends another jolt through you, making your heart stutter.

You gasp, startled by the unfamiliar sensation, your breath hitching. The warmth spreads from your chest down to your fingertips, a strange, foreign feeling you can’t quite name.

“Goodness! I beg your pardon again,” Seokmin says quickly, his sheepish smile returning, though this time it’s softer, more hesitant. His eyes flicker with something you can’t quite place. “It seems I have a propensity for unintentional collisions today.”

That smile—it makes your chest tighten. His presence, usually a source of comfort, now awakens something new within you, something unsettling yet undeniable. Gardening, once nothing but a mundane chore, has transformed into something far more intimate with Seokmin by your side. The flowerbeds seem to flourish under his laughter, vibrant blooms swaying as if they, too, revel in the joy of the moment.

But that foreign sensation? You tuck it deep into your mind, burying it along with the seeds you’ve planted, afraid to decode what it could mean. After all, this is Seokmin—your friend, your constant. And yet, the warmth of his touch lingers on your skin longer than it should, as if it’s quietly asking you to look closer.

My Dearest Seokmin,

I hope this letter finds you in moments of solace amidst the tumult of your recent loss. It is with a heavy heart that I pen these words, having heard of your father’s passing. The news struck me with such a weight, as though the very air around me had grown thick with sorrow. I cannot begin to fathom the grief you must be experiencing, yet please know that my thoughts and prayers are ever with you during this difficult time.

Your father was a remarkable man, a beacon of kindness and integrity, and his absence will undoubtedly leave a profound void in the hearts of all who had the privilege of knowing him. I remember fondly the stories you shared, of his wisdom and warmth, which have clearly shaped the exceptional person you have become. His legacy, I have no doubt, will endure through you.

With his passing, I know you now bear the title of Duke. While this new responsibility may feel daunting, I have every confidence you will honor his legacy with the same grace and strength he embodied. I want you to remember that you are not alone. I am here, dear friend, steadfast and unwavering, ready to support you as you navigate this uncharted territory.

I eagerly await the day when I can see your smile again, and we can talk about the flowers in the garden, just as we always have.

With all my love and deepest sympathies,Y/N

My Dearest Tulip,

Your letter brought me a flicker of light amidst the shadows that have enveloped me since my father’s passing. It is a solace to know that you, too, share in my grief, and your words resonate deeply within me, reminding me that I am not alone in this turbulent sea of sorrow.

Thank you for your kind remembrance of my father. He often spoke of you with such fondness, and knowing how he impacted your life brings me a measure of comfort. His lessons of kindness and integrity remain etched in my heart, and I strive to honor his legacy in every decision I make as Duke. It is a weight I carry with both pride and trepidation, yet the knowledge of your unwavering support gives me strength.

Though this season feels uncharted and daunting, your friendship is a cherished constant. I, too, long for the day when we can stroll through the gardens, exchanging thoughts about the flowers and sharing laughter, just as we once did. Until then, I will hold onto the warmth of your words and the memories we’ve created.

With heartfelt gratitude and affection,Seokmin

Age 16:

When Seokmin and Minghao return home the next spring, it’s clear that Seokmin carries more than just the usual joy and liveliness he always brings with him. A new weight settles over him, one you haven’t seen before. The responsibility of the Dukedom starts to bear down on him, heavy as the cloak he will one day wear. His laugh remains bright, his smile still warm, but there’s something different now—an unspoken awareness that the carefree boy of the past is slowly giving way to the man he is becoming.

He has grown taller, his limbs long and strong, and the way he carries himself now commands attention. The once-boyish face is now defined, the angle of his jaw sharper, while his arms, corded with muscles, show the signs of hard work and training. It’s as if each inch he’s gained has come with a newfound strength, and when he meets your gaze, his eyes hold a certain seriousness, as if he is seeing everything with a fresh perspective.

The easy rhythm of your old routines stays intact—Minghao teasing you until you yell, Seokmin’s booming laughter echoing across the fields, and the reprimands from your mother when your playful shouts interrupt her afternoon peace. It all feels the same, yet beneath it all, you know things are changing.

On one such afternoon, you discover their practice swords—once lost and forgotten—buried haphazardly in the flowerbed among your mother’s beloved tulips. You pull them free with a gasp, the soil still clinging to the metal, and when you bring them to Seokmin, he chuckles, the sound a little sadder than you remember.

“Well,” he says, wiping the dirt from the hilt, “seems like even the tulips want to keep us from growing up too fast, eh, Tulip?”

Despite the weight of responsibility that now shadows him, he still calls you “Tulip.” The name slips easily from his lips, playful and tender, a thread that ties your past to the present. The quiet nickname carries the bittersweet truth: your days of carefree adventures and playful banter are slowly fading, giving way to the responsibilities of adulthood. And while the world around you shifts, that name—whispered in secret—feels like a promise that some part of him, some part of both of you, will always stay the same.

My dearest Tulip,

It is with a heart full of sorrow that I write to you, upon receiving the most distressing news regarding your father’s passing. The world seems dimmer without him, and my thoughts are consumed with the weight of your grief. I wish I could be there, to hold your hand and share in the memories of a man who undoubtedly brought so much light into your life.

When the silence envelops you, when the days stretch long and heavy with unshed tears, know that I am here for you. You need not wear a mask of strength; I shall not expect it. Life has a way of changing in an instant, and though we are thrust into roles we may not be prepared for, there remains solace in companionship.

Please remember, my dear friend, you are not alone in this journey. I stand with you, ready to lend my support and share in whatever you need.

With the utmost affection,Seokmin

My dearest Seokmin,

Your letter reached me at a time when silence has settled heavily over the estate, wrapping around us like a shroud. It feels as though the laughter that once danced through these halls has been swallowed by a void, leaving behind a hushed emptiness. My mother, once so vibrant, now moves about with an air of resignation, her spirit dimmed as if she carries the weight of the world upon her shoulders. The joy that once bloomed within her seems to have withered, and even the flowers in the garden appear to droop, their colors muted in sympathy for our grief.

I often find myself worrying for Minghao. The new title of duke weighs upon him like a heavy cloak, and I fear that the responsibilities thrust upon him will change him in ways I cannot yet understand. I can only imagine the burden he feels, trying to uphold our father's legacy while grappling with the uncertainties of leadership. It frightens me to think of how this shift may alter our relationship, how he might feel compelled to step into a role that distances him from the brother I’ve always known. I fear I may lose him just as I have lost my father.

Yet, amid this uncertainty, your words bring me a flicker of comfort. The knowledge that you stand with me during this turbulent time is a balm for my spirit. I long for your return, for the laughter and warmth that you bring.

Until then, I hold your friendship close to my heart, a gentle reminder that even in the darkest of times, I am not alone.

With all my affection,Y/N

Age 17:

At the onset of spring, when Minghao and Seokmin return to the estate, the world feels subtly transformed. The air is perfumed with the scent of blooming flowers, yet there’s an unmistakable weight in the atmosphere, a quiet acknowledgment of the changes that accompany their new titles. As dukes, both acquire an aura of responsibility that overshadows the playful ease they once share.

The lighthearted teasing that characterizes your interactions is now less frequent, often replaced by a more thoughtful camaraderie. It’s as though their titles impose a certain decorum upon them, one that even the most mischievous of spirits cannot easily shake off. Their laughter, while still present, bears the faintest echo of seriousness that wasn’t there before.

Yet, despite this change, you find immense joy in their company, particularly when they engage in spirited sparring sessions in the training yard. As wooden swords clash and echo, it’s impossible not to feel a thrill at the sight of them—two young gentlemen, once boys, now embodying a gravity that demands respect even in their play.

The matches become a spectacle, each clash of wooden swords accompanied by shouts and laughter that echo through the estate. You perch on the sidelines, an amused spectator, as Seokmin and Minghao banter playfully between bouts. “You call that a strike?” Seokmin teases, deftly dodging your brother’s advance with a lightness that seems almost effortless. “I’ve seen more ferocity from a kitten!”

Minghao rolls his eyes, the corners of his mouth betraying a grin despite his best efforts to maintain an air of dignity. “One day, Seokmin, you shall learn that mocking your opponent is a perilous game.”

You perch on the sidelines, unable to stifle the laughter bubbling forth at their antics. Each exchange between them is a delightful dance, weaving a tapestry of shared history and unspoken affection. Yet, as you watch, you cannot help but feel a twinge of wistfulness; the exuberance of their banter now seems to emerge from a place tinged with nostalgia.

The sun dips low in the sky, casting a warm, golden glow over the training yard; both young gentlemen wield their wooden swords with a fervor that sends a thrill through the onlookers. You remain at a distance, your heart pounding in rhythm with each clash of wood, an exhilaration mingled with unease coursing through you.

Seokmin, with his characteristic bravado, flashes a teasing grin as he engages your brother. “Come now, my lord! Surely you can do better than that!” The laughter in his voice rings like a bell, though you can’t help but feel a knot of apprehension tighten in your chest.

As the match continues, you find yourself transfixed by Seokmin’s agile movements, the way he dances about the training yard with a carefree spirit. However, just as you begin to relax, a delicate butterfly flits past, capturing Seokmin’s attention momentarily. It is in this fleeting distraction that your brother seizes his opportunity, lunging forward with surprising speed.

“Seokmin!” you cry out, the word escaping your lips before you can restrain it. Time seems to elongate as you watch, breathless, as Seokmin turns just in time to evade the wooden sword’s path. He stumbles slightly, regaining his balance as he casts a quick glance your way, surprise etched upon his handsome features.

With your heart racing, you dash to his side, adrenaline coursing through your veins. “Are you quite well?” The urgency in your voice is unmistakable, for the thought of his injury sends a chill through you.

“Indeed, I am unharmed,” he replies, though the forced joviality of his laugh belies the tension of the moment. “Merely caught off guard, I assure you.”

Yet your heart refuses to calm. “You cannot be so reckless! What if you had been injured?” The fervor of your concern envelops you, and you see a flicker of something unspoken in his eyes as he steps closer, the air between you thick with a burgeoning intimacy. That same foreign sensation – the one from years ago when he had brushed against you in the gardens – ignites within you, one you had tucked away and kept hidden, rearing its head in this moment of vulnerability.

“Thank you, Tulip, for your ever-present concern for my well-being,” he murmurs, his voice lowered as he meets your gaze, the world around you fading into an indistinct haze. Just then, Minghao loudly clears his throat, and Seokmin drops his eyes, a bashful blush appearing on the apples of his cheeks.

You step away, embarrassed, your heart pounding against your ribcage.

Minghao corners you in the gardens that night, the cool summer breeze brushing against your skin as you take a walk, seeking solace from the tempest of thoughts swirling in your mind. The encounter with Seokmin lingers like a gentle whisper, an unsettling mixture of warmth and confusion that dances at the edges of your consciousness, teasing you with emotions you struggle to understand.

“Sister,” he begins, his voice so soft that you nearly startle. In an instant, he presses a hand against your mouth, his finger raised in a quiet plea for silence. “It’s only me, Y/N. I fear you’ll wake the entire estate.”

“It’s your fault for skulking about the gardens like a common thief!” you whisper back, fiercely. “What on earth could possibly require such urgent discussion that you couldn’t grant me one night of peace?”

His expression grows serious, the playful glint in his eyes replaced by an intensity that sends a shiver down your spine. “You must be careful, sister,” he admonishes, and in that moment, he seems less like your brother and more like the Duke of Somerset—tall, proud, and formidable. “There are whispers… about you and Seokmin.”

“Whispers? Whatever do you mean?” You search his face for clarification, anxiety bubbling within you.

Minghao shakes his head as if dismissing the very idea of this conversation. A wave of indignation washes over you, eager to burst forth. He may be only two years your elder, yet he still insists on treating you like a child. “Your debut into society draws near,” he continues, his voice measured and resolute. “You mustn’t jeopardize it.”

“But Minghao—” you begin, but he raises a hand, silencing you with a mere gesture.

“Listen. You know how these things unfold. A mere hint of impropriety could tarnish your reputation. I don’t want you to suffer from the kind of gossip that twists the truth.” His tone softens, revealing a hint of genuine concern that pierces through your indignation. “I only want what’s best for you.”

You meet his gaze, the weight of his words pressing down on you. “I am not a child anymore,” you protest, the tremor in your voice betraying a mixture of frustration and uncertainty. “I am capable of making my own choices.”

“Perhaps,” he replies, his eyes steady and unwavering. “But I have a responsibility to protect you, Y/N. I don’t wish to stifle your spirit, but you must grasp the implications of your actions.”

The night air grows thick with unspoken sentiments, and as the stars twinkle overhead like mischievous spectators, you grapple with the tumult in your heart. There’s something about Seokmin that sends ripples of confusion coursing through you, a fluttering sensation that stirs your chest whenever his name crosses your mind. You do not fully comprehend what it is, but it’s undeniably present—a flicker of something more, leaving you teetering on the precipice of feelings you are not yet ready to confront.

My dearest Seokmin,

As I sit here with this pen in hand, I find myself quite at a loss. The arrival of my debut looms on the horizon, and while I am certainly filled with anticipation, I must confess that trepidation dances in my chest, quite uninvited. The notion of standing before an audience of peers—well-bred and well-mannered—fills me with an unease I cannot quite articulate. Will my words tumble forth in a jumbled mess? Or worse, will they fall on deaf ears?

I cannot shake the dreadful thought that I may never find a match. What if I enter that grand ballroom, adorned in my finest gown, and am met with indifference? Will the charming suitors twirl past me, whisking away others while I stand, forgotten, on the periphery? The idea sends a shiver down my spine, as I fear I may spend the evening watching the festivities unfold without me.

As I consider the expectations that accompany my debut, I can’t help but reflect on how you and Minghao have gracefully embraced your new roles as dukes. You carry the weight of your responsibilities with such elegance, while I find myself yearning to flourish in a world that feels daunting. Will I, too, be able to navigate this landscape of expectation and propriety, or will I falter under its weight?

Forgive my ramblings, dear friend. I suppose I am merely hoping for reassurance, a kind word from you. Perhaps if I know you will be there—your presence a familiar balm—I might muster the courage to dance and revel in the splendor of the evening.

With warmest regards and hopeful heart,Your Tulip

My Dearest Tulip,

Your recent letter has landed in my hands like a most delightful spring breeze, though I must confess it carries with it a hint of unease that quite unnerves me. How is it that my steadfast friend, who has faced the world with such spirited determination, now frets over the prospects of the ballroom?

First and foremost, allow me to put your mind at ease. The mere thought of you standing in that grand ballroom, adorned in the finest gown, is enough to illuminate the dimmest of corners. Your charm will be as radiant as the most exquisite of chandeliers, drawing the gaze of all who are fortunate enough to cross your path. I assure you, the gentlemen will hardly be able to focus on anything—or anyone—else.

Now, I cannot let this opportunity pass without a bit of teasing – regarding your step upon my toes during our lessons – I daresay I must bring up a rather amusing memory. I cannot help but recall how you sent both Minghao and me reeling across the room, much like a pair of wayward marionettes! One can only hope that with age comes grace—or at the very least, a better sense of foot placement! If not, I shall be prepared to don the most resilient shoes in all of England.

Worry not, dear Tulip. I shall be by your side the entire season, if you shall have me (although, I am not entirely certain your dear brother will be entirely pleased by this idea).

Your most loyal servant,Seokmin

Dearest Sister,

As I sit at my desk, I cannot help but feel a mixture of pride and exasperation as I pen this letter. Our infrequent exchanges have become quite the tradition, have they not? I find it amusing that as your brother, I am often left to await your words while Seokmin is constantly regaled by your stories.

With your debut looming closer, I feel it is my solemn duty as both your brother and your Duke to remind you of the delicate nature of polite society. Your debut is not merely an occasion to don a gown and curtsy to the queen; it is a rite filled with expectations and decorum. I implore you to be mindful of the company you keep and the propriety that is expected of you as a young lady and the sister of the Duke. I have taken it upon myself to speak to Seokmin, warning him of the same – he has a habit of forgetting his own station in moments of levity.

While I know you must find these constraints stifling, know that the eyes of the ton will soon be upon you, not only assessing your beauty but also your character. You are the jewel of our family, and I trust you will shine brightly, even amidst these expectations.

Write to me when you can, dear sister, even if it is infrequent. Your musings are treasures to your dear elder brother, and I await them constantly.

With all my love, Minghao

Dearest Brother,

I say this with the utmost love and devotion:

Damn you.

(Please forgive my language, and please, do not show this letter to Mama. I fear her admonishments may never end if she hears of my vernacular)

I am acutely aware of the expectations that accompany my debut – how could I forget when both you and Mama loom over me like a pair of hawks? While I recognize your intentions, your words do little to alleviate my anxiety.

Your warning regarding Seokmin only serves to make me laugh. It is amusing, truly, to envision the Duke of Lancaster being chided by my brother on the virtues of propriety. I promise to keep my wits about me and to present myself with all the elegance expected of a young lady of my station (the sister of a Duke, no less!).

I will do my utmost to avoid a scandal – or at the very least, I shall ensure that you do not hear of it. I shall write again soon, if only to unleash more of my exasperation upon you.

Yours, in (implied) rebellion, Y/N (Sister of the Duke of Somerset)

Age 18:

On the eve of your debut, you find yourself seated on the swing in the garden of the Somerset townhome, the night cloaked in an almost palpable tension. The sounds of Mayfair filter through the stillness—a symphony of distant laughter, the soft clatter of carriages, and the occasional rustle of silk skirts—as the ton settles into slumber. The air feels electric, crackling with anticipation, as if the entire world is holding its breath, waiting for the events of the morrow to unfold.

You take a deep drag from the cigarette you swiped from Minghao’s rooms, the smoke spiraling into the night like a fleeting thought. With each inhale, you hope to drown out the anxious fluttering of your heart, a dissonant rhythm that accelerates at the mere thought of tomorrow’s debut.

“Why, Lady Xu Y/N, are you smoking?” The voice breaks through your reverie, causing you to sputter and cough, hastily attempting to conceal the cigarette behind your back. You turn to see Seokmin, leaning casually against the sturdy oak tree that secures the swing, his figure silhouetted against the moonlight.

His presence is both familiar and disarming, the boyish charm of his smile juxtaposed against the weight of his title. “No, Seokmin, I—” you stammer, flustered.

“Shove over,” he commands lightly, and before you can protest, he plucks the cigarette from your frozen grip, taking a deep, leisurely drag. The sight of him—so confident, so carefree—sets your heart racing in a way that both delights and terrifies you.

“What on earth are you doing here?” you ask incredulously, half-exasperated, half-amused.

“I was with your brother at White’s,” he replies, amusement dancing in his eyes. “It was my mistake to forget how little he can imbibe before devolving into an utter fool. I was merely making sure he returned home safely.” His tone shifts, curiosity sparkling in his gaze. “Are you excited for tomorrow?”

“Excited? Hardly,” you grumble, kicking at the scattered rocks beneath your feet. “What my heart truly desires is to run away—pack my things, flee to Paris, and open a quaint little bookstore. Perhaps live out my days as a spinster, surrounded by novels and solitude.”

Seokmin’s expression shifts, a shadow of understanding passing across his features. “We cannot always have what our hearts desire,” he says, his voice tinged with a hint of sorrow as he exhales a plume of smoke. “Sometimes, we must accept that we can find happiness in what we have, not in what could have been.”

You watch the smoke dance and dissipate into the night sky, thoughts swirling as restlessly as the tendrils of fog around you.

“And you?” you ask quietly, the question escaping before you can catch it. “What does your heart desire?”

“Desired,” he corrects, taking another deep drag. “I once dreamed of being a fencer, of dueling beneath the sun. But above all, I yearned to find love.”

Your heart stutters at his admission. His thigh brushes against yours, an electric touch that feels so scandalously intimate you can hardly breathe. You suddenly become acutely aware of the nightgown you wear, the thin fabric doing little to shield you from the heat radiating from his body. If Minghao were to catch you in this moment, you are certain he would demand that Seokmin either marry you on the spot or duel him for your honor.

The very thought sends a shiver down your spine—an improper thought that both terrifies and thrills you. You are a young lady, poised to make your debut, and here you are, perched so closely to an eligible duke, the expectations of the ton looming like a dark cloud. What would society say if they were to discover you in this clandestine moment? The whispers would be deafening, your reputation in tatters, and yet… the thrill of it, the danger, pulls at you like a siren's song.

“And you believe you shall never find it?” you ask, your voice barely above a whisper.

“I am a Duke, Y/N,” he murmurs, his voice so soft it barely pierces the night air. “Duty must come first. If there is any part of me left, which there rarely is, only then can I pursue love.”

The distance between you feels both impossibly vast and achingly close, the weight of his words pressing against you like an invisible force. You can see the vulnerability in his eyes, the unspoken longing that mirrors your own.

You hum, encouraging him to continue, yet the weight of his words presses down on your chest.

“But how fortunate am I,” he continues, his gaze piercing through the night like a beacon, “to have found such a remarkable friend who stands by me even as duty threatens to drown me where I stand.”

A friend. The word lingers between you, heavy and loaded. Is that truly all he sees you as? The realization sends your mind reeling, your heart racing in an entirely different way.

No, the trees whisper, urging you to reconsider.

Could it be…love?

That foreign sensation, long buried beneath layers of propriety and friendship, now unfurls within you, roots taking hold. You realize with a start that you have loved Seokmin, perhaps from that very first kiss on your hand all those years ago, long before you could articulate the feelings swirling in your heart.

Panic courses through you, and you leap up from the swing as if it has burned you. “It is late, Lord Lee. I must take my leave now,” you stammer, unable to meet his gaze. “I hope you find your way home safely.”

He reaches out, his hand brushing against your wrist, and your breath hitches at the contact. “Wait,” he says, his voice low, almost laced with concern. “Are you alright? You seem... distant.”

His eyes search yours, and you feel the weight of his gaze, an anchor that both comforts and terrifies you. Your pulse quickens, a frantic rhythm echoing in your ears. What would it mean to linger here a moment longer, to let the night wrap around you like a cocoon?

But all the books you’ve read offer no preparation for the heartache that comes with knowing he regards you as merely a friend. A friend, just like your brother. You are his friend, and the shattering realization settles in: he will never love you back.

“Tulip?” he adds softly, the word a whisper that brushes against your skin like the wind.

You swallow hard, every part of you aching to give in, to lean into the connection pulsing between you. But the truth looms like a storm cloud overhead, dark and inevitable.

You love Lord Lee Seokmin, Duke of Lancaster, but he will never love you.

And with that heavy knowledge weighing on your heart, you turn to leave, every step toward your room feeling like a betrayal to the emotions simmering just beneath the surface.

You don’t sleep at all, thoughts consumed by a boy you had once known and the man you now love.

Tagging: @kibs-and-bits @moondustmemories @shinwonderful @ivehypnosis @gwend0lyne @thestoryofana13

#seventeen fic recs #lee seokmin x reader

184 notes · View notes

awhisperofbluevn · 13 hours ago

Text

Happy (belated) new year !

Okay, I'm a little late, but we're still in January so it's still time ! Take thie merman drawing as an apology !

To be honest, with all the festivities, I just wanted to take a break with social medias.

With that being said, let me wish you all a happy 2025, and hope it will be a successful year for us all !

Now I think is a great opportunity to make an update about the development and my plans for the game in the future.

It's probably going to be a bit long, so I'll leave the rest under the cut for those who just want to enjoy the merman's face.

I'm going to say it now, but I don't know when the full game will be done.

To be honest, it probably won't be in 2025, as I'm still very much alone to write, program and draw. I don't want to put too much pressure on myself for a first game but I still want something clean in the end.

Honestly, I'd want to make a complex game with different routes depending on the kind of relationship you have with the love interest and the MC's personality, add a million different choices so each player have a different exprience, but I think that's still too complex for me at this moment, so I'll have to lower my ambitions. I can only offer very basic personalization options for the MC and a classic system of affection points. But maybe for a future game when I'll gain experience, who knows...? (yes I do have ideas, but one project at a time)

Now what I can say is that I'm planning two to three big updates in total (excluding small updates to correct bugs and fix typos).

I'm not exactly sure because while I do have the main story in my head, I don't know how long each part will be yet. I'd like to make them at least as long as the current demo, but I'll have to actually write it to know exactly how to divise those parts.

Now, about what I'd like to add/change in the current game :

The menu. If I can, I'd like something more dynamic and less... I don't know. I think it looks too basic.

CGs for bad endings. Not a priority, as I'd rather work on the main route and it's just going to add to my workload, but I still think it'll be nice.

A gallery button. I don't know how to do that yet, but I think it'll be cool for people to see all the CGs and see which ending they didn't get, plus it just makes sense if I add bad ending CGs.

A guide for all endings. Again, not a priority since there's currently not much content, but it will be done when the game will be at a more advanced stage.

Finally, I can't share much for the next update, but I can tell you what to expect !

New characters.

New backgrounds.

New CGs.

And probably more, but I don't want to make promises too quickly.

I don't know when the next update will be exactly, give it a few months.

And that's all I can share with you !

I'll go back to answer asks soon enough, my askbox is still open !

Once again, happy new year to you all !💙

#visual novel #merman #oc #a whisper of blue #happy new year

31 notes · View notes

skyrages · 3 days ago

Note

it's always been weird to me how people moralize feeling things and having actions driven from emotions rather than logic and personal ethics.

people hear "low empathy" and assume that means low-empathetic behavior: things like abuse, manipulation, and conceptualize this cold, calculating, Inherently Evil thought process, and so when someone with low empathy is convicted of a crime, I think people who think emotional empathy = emotionally intelligent behavior think of it as those "inhumane" urges breaking through this "inauthentic veneer" that's able to be dispassionately thrown aside at any convenience.

I think people who are agnostic or not incredibly religious deal with the same sort of issue, because incredibly religious Westerners think that without being afraid of some greater enacter of divine or cosmic punishment, humans descend into selfish, cannibalistic anarchy. I've never personally understood it, but I'm autistic so I don't think I can explain it to you, it's just something I've had to accept that some people think lol

the issue with all of this, of course, is that emotional empathy isn't the only kind of empathy that exists, but neuroconvergent people like to pretend it is. people who struggle with "feeling" empathy should still be able to develop logical empathy. but people who feel empathy get weird about that for some reason.

I deal with dynamic empathy, so I'll be using my own experiences when talking from here on in.

say I find out that something that I've done inadvertently hurt someone I'm close to, either socially or through work/school or whatever, and I hadn't realized it in the moment.

when I have "normal" emotional empathy, I'm able to "feel bad" which tends to translate to physical sensations of guilt, such as an unsettled stomach or sometimes my hands start sweating. I find out I hurt someone I'm close to, I "feel bad," and so I'm emotionally motivated to go to that person and apologize, make things right, explain where I was coming from, and figure out how to avoid that kind of conflict in the future.

but I have moments when I have low emotional empathy. people who don't deal with empathy issues assume that when I'm in these states, I react to the knowledge that I've hurt someone with scorn and disregard, and make no effort to right any wrongdoing, because I "don't care."

in actuality, I'm able to step back and realize, hey, that was kinda a dick move. I'm not emotionally motivated to go and make things right with the person, but I'm inclined to do so because I'm aware that, according to my equity-focused code of ethics, I did something that wasn't okay. I may not hate myself for whatever happened, but I'm still aware that, hey, this person is important to me for a variety of reasons, and even if I'm dispassionate in this moment, I know that I have reasons to care about this person that extend beyond me "feeling bad." I will still make efforts to make appropriate amends, but I might not go out of my way the way I would when I have moments of hyper-empathy and be tripping over myself with emotional guilt.

sorry if this is kind of long, but emotional vs. logical empathy is a huge thing when talking about AVPD and NPD and other such personality disorders. it's always been very strange to me that people assume that because you don't "feel" a certain way doesn't mean you don't know what's right and wrong, simply by growing up and being aware of (if separate from, for a variety of reasons) your surroundings. it's something that, again, doesn't make sense to me, but I've had to accept that some people view the world from such perspectives.

I think different ways people feel things is interesting. Anyway, I agree that judging by emotions is absurd. But I do think your logical empathy has an emotional part that you don’t really count and isn’t universal.

#low empathy #cluster b #neurodivergent #mental health #autism

16 notes · View notes

grimnisdottir · 2 years ago

Text

Alright I got a New Head Canon for ya'll. I’m happy to talk about this in depth, but honestly this opens up a new sandbox for myself. This is petty light but I just… I hate how Kishi said Noble Clans and nothing came of it. Like dude.

Noble Clans:

Each Noble Clan houses several vassal clans that work within their clan compound. Thus making their compounds larger and more self-sufficient.

Vassals are the ones who farm, trade, do basic training for a standing defense force, and have a chance to join the shinobi forces. A lot of daily necessities for the general running of the clan. The vassals gain protection under the Noble Clan in return.

With the freedom of not having to devote so much time to daily surviving tasks, the Noble Clan has more time to train, take missions, and bring in money to the clan through alternate means. This also allows for the Clan to be able focus on skills for the betterment of the clan, and can employ more ways to hide the Clan Heads house.

The Triad is a bit unique as they have a close relationship, and all three are shinobi clans. They are able to function a bit more autonomously but still have the protection and luxuries of being vassals to the Akimichi Clan.

This will put heavy importance on Clan Head. For example: Madara Uchiha during WSE would be quite busy managing the finer points, such as finance, general day to day, missions and leading the Clan. While Izuna/Hikaku would be vital at dealing with other aspects such as training forces, intelligence networks etc.

So looking at the relationship between Hashirama and Madara and why Madara doesn’t accept peace, is because their clans aren’t equal in status. The elders and likely Madara himself, would see Hashirama trying to rise above their station and reap the benefits without being a vassal. From our understanding the Senju likely wouldn’t understand this. So the Senju could see the Uchiha as just looking down at them, vs this is a status and societal thing they just don’t know. So Hashirama’s claims of peace without substance would be seen as insulting.

Onto Izuna and Tobirama: Izuna doesn’t like Tobirama because he’s *smart*. He invents ways to be more efficient and Izuna believes he is inherently better, thanks to the Sharingan and his skills. So Tobirama always keeping up with him would be a bone of contention.

#madara uchiha #uchiha clan #writing #naruto headcanons #grim speaks #naruto founders #I swear this isn’t anti anything #it’s such an interesting social dynamic #Noble Clans in Naruto

43 notes · View notes

tinrange · 11 hours ago

Text

There are so many great points here but I wanna highlight the section about how youth in countries and areas without adequate sex education are recieving information and knowledge through these shows.

The top-bottom stereotyping, complete with massive body differences and certain 'looks', for both GL and BL pairs is a warping of actual roles that then forces queer youth into conservative positions while those that see queer bodies as objects of commodity get to fictionalize aspects of the community.

In LGBT relationships and dating its normal to discuss sexual preferences, its common to be vers sure but its just as common to be secure in your position.

When shows are marketed such that there can only ever be one dynamic ive seen queer youth assert that there are no 'bottoms' no 'tops' its just two people loving each other, and despite it coming from a place of defense it ends up driving them away from actually seeing all queerness can encompass.

In the case of sapphics there are actual identities tied around service and reception, both in and out of bed, that are then dismissed by large swathes of the media consuming pop. Because of the fact Stereotypes imposed onto people through corporations and heteronormativity. Those beliefs are strengthened in the echochambers that make up hime spheres and eventually change peoples approaches to their own identities.

All that to say that this ties back to the point of capitalism being a driving force behind each production and show we see being put to the screen. Its been extremely telling for me recently how deeply people enjoy censored shows, for example Highschool Return of Gangster, and also how people discuss actors who work on them vs on BL.

Highschool Return of Gangster is blatantly censored, its not gay and the subtext is doing a lot of the work for audience members who Want to see something while also leaving it vague enough that those 'uncomfortable' could just ignore it. Whats really interesting is how this shows censorship was defended amongst its creators, it HAD to be censored for them because BL is too niche and unfprofitable. Its a genre market that automatically creates a barrier for success. In this way Korea and Thailand are very different, but the audience reactions to people who work in other industries is the same.

"BL actors are there to create ships and sell you a lie and a delusion and breed fangirls who dont care about irl queerness." These kind of broad strokes flatten any nuance in discussions of what being seen supporting queer art actually Does to a public image, and the conflation of areas and peoples together allows for a complete dismissal of the genre. People who hate GL and BL will tell you everybody is in it for the money and the fans and nobody ever cares about anything past that, and that kind of thinking works so well for the companies.

If the audience is already willing to seperate queerness from Actually LGBT art and productions, only minimal steps need to be taken to make things 'palatable' and easy to consume by robbing the stories of possible authenticity.

These shows and genres are already viewed as lesser by a GP, perverse or flat tv that exists only to cater to a niche who doesnt actually belong to the community and it allows for everyone, even LGBT audiences, to praise those that 'elevate' the genre.

This all ties in with the general conservative backswings plaguing social media and discussions from the youth. Capitalism allows for these companies to continue creating narratives that discredit any enjoyment of swathes of queer media due to BLs "low-brow" nature, while simultaneously suppressing any shows that depict queer messiness. Its almost disappointing to see people continuously use the defense of "not everything has to be So Explicitly Gay" when that serves no one but capitalists who want to dip in everyones pockets. Impressionable audiences are manipulated and end up treating stories about their own communities as having to Prove Their Worth in the canon, and when a show like SMYM comes along it becomes very easy to dismiss criticisms because audiences have been groomed into believing LGBT art is more elevated the less it cares about the interiority and actual queerness of the characters.

Spare Me Your Mercy, Love in the Big City, and the Trap of Pursuing Mainstream Popularity for Queer Art

I read this excellent post by @waitmyturtles yesterday tackling the frustrating failures of Spare Me Your Mercy, a show that was one of my most anticipated of the year, but that ended up so lost in its own confusing blend of sauces that I didn't even finish it. I appreciated her clarity that despite the show receiving strong ratings and finding popularity with the mainstream domestic audience, that doesn't actually make it a success as a piece of narrative storytelling. And if anything, its popularity underlines why it was a failure as a queer narrative, in particular.

Because here's the thing about great queer art—it's almost never popular with mainstream audiences, especially in socially conservative countries. High quality, well-executed, honest and authentic queer art is more likely to be protested than celebrated in places where real queer people are not safe to live free lives. For an illustration of this, look no further than another highly anticipated queer drama of this year in Love in the Big City. Easily the queerest show to ever get made and aired on Korean television, it drew major protests before it even started, forcing the production to release it quickly in one go to ensure it would reach audiences. And why were those conservative groups so afraid of this little old drama? Because even just in its trailer and promotional materials, it was clear this was no sanitized, G-rated drama created to make gay people seem more palatable to the masses (unlike the film version with the same name, which not coincidentally has been much more warmly received by the Korean media establishment). This show was real, and raw, and QUEER in a way that terrified those bigots, because they know one of the most important ways the oppressed can advocate for themselves is by demonstrating their humanity through art.

Which brings me back to turtles’ post, and the importance of separating the concerns of art and commerce when discussing the different ways media can succeed. This is something I had some good dialogue about with @biochemjess @pharawee @clairedaring @flowerbeasblog and turtles (and even more of you in the tags) when I was still watching and posting about Spare Me Your Mercy. I originally posted to unpack why the show was flopping narratively, which turned into a discussion of the fact that it was getting good ratings from the domestic audience despite this. And while I appreciated understanding how the show is landing with its priority audience, for me, it’s very important to keep a distinction between these two different kinds of success. Especially in discussions of queer art, and especially for a show whose creators explicitly said they were intentionally downplaying the queer romance part of the queer romance ( @benkaben) to avoid “distracting” from their other messaging goals.

The important thing to keep in mind is that for queer stories, when they are popular with a mainstream audience it’s often because they are stripping any authenticity from the representation of queer people. Turtles addressed this well in her review of 2gether when she posited that part of the reason it was such a phenomenon in conservative Asian countries (aside from the timing of its release in the early days of the global pandemic), was because its presentation of queerness was mostly unrecognizable to real queer people, stripped of any true notion of queer sexuality or the realities of homophobia. Compare the reception of The Miracle of Teddy Bear—a show that absolutely refused to make its central queer character palatable for a mainstream audience, because the fact that he wasn’t palatable was the point—to that of Spare Me Your Mercy, a show whose creators chose to censor their own story. The ugly truth is that when we’re talking about queer dramas, the best and most vital shows are pretty much anathema to mainstream ratings success.

The impulse to pursue mainstream popularity and commercial success for queer art inevitably leads to watering down queer stories ( @twig-tea) to make them more light, comfortable and familiar to a majority heterosexual and socially conservative audience. And yes, of course, some degree of commercial success is necessary for queer art to get made in the first place. This is how the Thai BL market took off, by recognizing that there was an audience beyond queer people who were open to watching stories about boys falling in love, as long as it didn’t get too real. But there is a careful line to walk here, and it’s so important not to confuse popularity with artistic merit. Queer people won’t win liberation by self-censoring queer media to make it more palatable for mainstream audiences. We win when we make queer art so good and so honest that the mainstream is forced to acknowledge it. We win by challenging the mainstream perspective on queer people and how they should behave, not by catering to it. As @bengiyo said in a completely different discourse, the question is not whether the audience can love queer characters whose actual queerness is suppressed for their comfort. That kind of respectability politics is old hat and it never fucking gets us anywhere. The real question he posed is this: “Do you love us when we’re ugly, when we’re sick, when we’re old, when we’re being mean or catty?”

Which is why a show like Love in the Big City ultimately won by being so excellent, and so true, and so undeniable, that it broke through with audiences around the world and achieved some measure of recognition in spite of how very unpalatable it was to its domestic audience. Unlike Spare Me Your Mercy, this show did not get amazing domestic ratings, but its message was heard far beyond those who watched it on Korean television. And that is the point. Making authentic art that advances the struggle of queer people and making nominally queer art that can achieve mainstream popularity are completely different pursuits, and we must keep that in mind when we discuss whether and how these shows succeeded or failed. And while both must exist in a healthy media ecosystem, one will always be more vital for the survival of queer people than the other.

#i only actually saw this post now but its beyond fascinating to me #art and capitalism are so wrapped into each other #kinda rambled but we move #i also genuinely believe theres always space for things like SMYM #or the litbc movie in the greater media landscape #because. ppl have to start somewhere i guess #but it irks me deeply when theyre positioned above lgbt art that stands in defiance to societal pressure

183 notes · View notes